Since Easter Sunday, readers of The Philadelphia Inquirer have been following the tale of a middle-aged South Philadelphia woman who found "a late, unlikely love" on-line. Diane Muraglia struck up an email correspondence with a man from Yorkshire named Ed Kelly. This South(ern) Philadelphia-Northern England connection took off.
Emails led to phone calls, which led to cards and letters, which led to visits by Ed to Philadelphia, which led to romance and a marriage proposal.
Today's installment mentions Plush Mills, where Diane and her parents moved after all three suffered serious health blows.
Read the story HERE!
Tune in to tomorrow's Philadelphia Inquirer to find out how it all turns out. The series is written by Inquirer staff writer Kathy Boccella, first cousin of Diane Muraglia.










Here is a snippet of an interview with Gunnar Plake conducted by San Francisco Bay Area writer Maria Porges in August 2008: Maria Porges: The most unique aspect of your photographs is the first thing we notice: they portray a state of motion. How did you develop your distinctive technique? Gunnar Plake: It started in the darkroom. At 25 I taught myself how to develop and print pictures and was fascinated by the portions of inadvertent blur. My curiosity led to experimentation, photographing objects in motion. Eventually my style evolved to what you see today - the stroke of my camera on still subjects - which maximizes creative control of the image. Maria Porges: Could you talk about the relationship of time to your work as a photographer? Gunnar Plake: I have spent my life obsessed with the passage of time. As a child I felt I had to concentrate and work that much harder just to keep up so time was always at a premium. Moving the camera during exposure allows me to include more information, more time, in the image than can be captured when the camera is still. Most photography emphasizes a moment frozen in time, which is not my experience in seeing. I capture time itself.
To protect the elaborate millinery, our Crazy Hat Contest was held indoors. The Mad Hatter's Tea Party Chapeau. 
The Balloon Top.
The Pretty-as-a-Picture Hat.
It was like Ascot in Pennsylvania.
And the winner: the classic Easter-Candy-Bonnet!

















